http://www.wikihow.com/Make-Blueprints
Friday, 18 May 2012
Sunday, 13 May 2012
Alice Channer
ALICE CHANNER: OUT OF BODY
EXHIBITION: 2 MARCH - 13 MAY 2012
PRESS
VIEW: THURSDAY 1 MARCH 2012,
10AM-12PM - RSVP
PREVIEW: THURSDAY 1 MARCH 2012, 6.30-8.30PM
PREVIEW: THURSDAY 1 MARCH 2012, 6.30-8.30PM
For
her South London Gallery exhibition, British artist Alice Channer has created
an installation of entirely new works which extend her exploration of the
relationship between the human body, personal adornment, materials and
sculpture. In these figurative works, Channer questions established hierarchies
within the history of art, objects and clothing, and offers a unique
perspective on manufacturing, the hand-made and consumer culture.
Out of Body brings together a group of sculptural works
which the artist defines as being figurative, but from which recognisable
representation of the human form is as noticeable by its absence as by its
presence. It is the tension born of that relationship which weaves a binding
thread between pieces made in a broad range of materials, using a variety of
techniques and on radically differing scales.
Entering
the main gallery the viewer is confronted by Cold Metal Body, a
radically stretched and distorted digital print of stone-carved classical
drapery, suspended from the impressive height of the space and held to the
floor by a marble surrogate limb. The bodily references are direct if not
immediately obvious in this work, but less so is the distinction between what
is human and what is not. Two other pieces, entitled Lungs and Eyes, span the space in a different way, each one
occupying opposite walls, 20 metres in length, in a sequence of aluminium
frames which take their forms from Yves Saint Laurent’s drawings for his famous
‘Le Smoking’ suits. Establishing a dialogue between the industrially-produced
metal armatures and the artist’s body, every frame has been hand-covered in
machine-sewn Spandex sleeves, which have been digitally printed with an ink
impression of Channer’s arm, stretched beyond recognition.
Adding
to this complex web of relationships between various methods of production and
references to the human body, floor-based sculptures entitled Amphibians and Reptiles combine machined, hand-carved
and polished marble with aluminium casts of stretch-fit Topshop clothing and
mirror polished stainless steel which has been digitally cut and industrially
rolled along hand-drawn lines.
In
talking about the show, Channer says:
“I am not trying to oppose or find alternatives to the things that separate us from ourselves – the machine, the industrial, the virtual, the commercial. Instead, I am seduced by these things and am becoming part of them through the work. The work is me, breathing, feeling and thinking with, through and as part of the processes and materials that make up the industrial and post-industrial late-capitalist world that I live in and that constitute my work.”
“I am not trying to oppose or find alternatives to the things that separate us from ourselves – the machine, the industrial, the virtual, the commercial. Instead, I am seduced by these things and am becoming part of them through the work. The work is me, breathing, feeling and thinking with, through and as part of the processes and materials that make up the industrial and post-industrial late-capitalist world that I live in and that constitute my work.”
Channer
graduated from London's Goldsmiths College in 2006, and the Royal College of
Art in 2008, and has since shown in numerous group shows as well as at The
Approach, London.
The
exhibition is accompanied by the publication of the artist’s first monograph.
The exhibition is supported by Vicky Hughes and John Smith, The Henry
Moore Foundation and The Elephant Trust. With additional thanks to The
Approach.
http://www.mathieucopeland.net/VOIDS.html
http://www.artfagcity.com/2009/10/15/frieze-fair-highlights-go-to-frame/
http://www.youtube.com/watch?v=yni0DzN0kGM
-trying to find lectures by simon fujiwara
http://www.google.co.uk/imgres?q=benglis+dildo&hl=en&sa=X&biw=1024&bih=652&tbm=isch&prmd=imvns&tbnid=SySYhx4BtvB6UM:&imgrefurl=http://joannemattera.blogspot.com/2011/07/little-late-lynda-benglis-at-numu.html&docid=s22ROVsV3DekdM&imgurl=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrb3yfWbZEgjHThKNzwaqPFWeaQq2umTMwvYFCB_jzTyCoZ2JN4-1kXk1EcDIef4yFJ3_gAdN0SbNyc11BqT7wx-bKEgZsDhrNFNOrXBSfRVVSGj33ItVMUI7FcJ2zAgNsm4mzJR8qJco/s1600/_MG_4070b.jpg&w=1600&h=1067&ei=V6itT97mG-rliAKsuMmZBA&zoom=1&iact=hc&vpx=403&vpy=353&dur=2194&hovh=183&hovw=275&tx=191&ty=74&sig=100306505174412480415&page=3&tbnh=153&tbnw=210&start=35&ndsp=20&ved=1t:429,r:12,s:35,i:177
need to look at mike kellys arena book too and installations
http://www.youtube.com/watch?v=47bQT_xnlzA&list=%2Fwatch%3Fv%3D47bQT_xnlzA&list=UUcA1don221rKq1EmbvQB27g&index=0&feature=plcp
-
http://www.artfagcity.com/2009/10/15/frieze-fair-highlights-go-to-frame/
http://www.youtube.com/watch?v=yni0DzN0kGM
-trying to find lectures by simon fujiwara
http://www.google.co.uk/imgres?q=benglis+dildo&hl=en&sa=X&biw=1024&bih=652&tbm=isch&prmd=imvns&tbnid=SySYhx4BtvB6UM:&imgrefurl=http://joannemattera.blogspot.com/2011/07/little-late-lynda-benglis-at-numu.html&docid=s22ROVsV3DekdM&imgurl=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrb3yfWbZEgjHThKNzwaqPFWeaQq2umTMwvYFCB_jzTyCoZ2JN4-1kXk1EcDIef4yFJ3_gAdN0SbNyc11BqT7wx-bKEgZsDhrNFNOrXBSfRVVSGj33ItVMUI7FcJ2zAgNsm4mzJR8qJco/s1600/_MG_4070b.jpg&w=1600&h=1067&ei=V6itT97mG-rliAKsuMmZBA&zoom=1&iact=hc&vpx=403&vpy=353&dur=2194&hovh=183&hovw=275&tx=191&ty=74&sig=100306505174412480415&page=3&tbnh=153&tbnw=210&start=35&ndsp=20&ved=1t:429,r:12,s:35,i:177
need to look at mike kellys arena book too and installations
http://www.youtube.com/watch?v=47bQT_xnlzA&list=%2Fwatch%3Fv%3D47bQT_xnlzA&list=UUcA1don221rKq1EmbvQB27g&index=0&feature=plcp
-
Conference: "Ethics of the Urban: the City and the Spaces of the Political" - Keynote
http://www.youtube.com/watch?v=qzsYIB9oX8o&feature=relmfu
Cremasteric reflex
A selection of films chosen and introduced by Alice Channer.
Helena Wlodarczyk, Slad (Trace), 1976, 35mm transferred on DVD, 13 min
This film about the acclaimed Polish sculptor Alina Szapocznikow (1926-73) was made by Wlodarczyk, one of Szapocznikow's own students. Amongst other works, it presents Le Voyage (The Journey), one of the artists' figurative sculptures, moving seemingly of its own accord through the streets of Lodz, Poland.
This film about the acclaimed Polish sculptor Alina Szapocznikow (1926-73) was made by Wlodarczyk, one of Szapocznikow's own students. Amongst other works, it presents Le Voyage (The Journey), one of the artists' figurative sculptures, moving seemingly of its own accord through the streets of Lodz, Poland.
Ken Russell, Pop Goes The Easel, 1962, 44 min
This film was made for the eponymous BBC Monitor series and, at the time, it was considered a cutting edge depiction of London's Pop Art scene. Presenting successive portraits of artists Peter Blake, Peter Phillips, Derek Boshier and Pauline Boty, it is mostly shot in the artists' flats and studios. Rather than working in an interview format, the film brings an often surreal, richly textured visual and musical insight in the work and lives of the artists.
This film was made for the eponymous BBC Monitor series and, at the time, it was considered a cutting edge depiction of London's Pop Art scene. Presenting successive portraits of artists Peter Blake, Peter Phillips, Derek Boshier and Pauline Boty, it is mostly shot in the artists' flats and studios. Rather than working in an interview format, the film brings an often surreal, richly textured visual and musical insight in the work and lives of the artists.
Geoffrey Haydon, Ed Ruscha, 1980, 28 min
This documentary about American painter Ed Ruscha was produced for the BBC Seven Artists Series. It follows the artist travelling around Los Angeles as he constructs an imitation boulder and takes it out of the city to place it in the desert. As the film progresses, elements of the Los Angeles landscape, both visual and aural, become interchangeable with frames of his drawings and paintings. The film itself becomes a landscape of Ruscha's practice.
This documentary about American painter Ed Ruscha was produced for the BBC Seven Artists Series. It follows the artist travelling around Los Angeles as he constructs an imitation boulder and takes it out of the city to place it in the desert. As the film progresses, elements of the Los Angeles landscape, both visual and aural, become interchangeable with frames of his drawings and paintings. The film itself becomes a landscape of Ruscha's practice.
Booking is essential.
Book online or call 020 7703 6120
Book online or call 020 7703 6120
http://en.wikipedia.org/wiki/Cremasteric_reflex
interested in reflexes, stuff you can't control. human, internal mechanisms.
need to check these stuff out: http://www.southlondongallery.org/page/where-sculptures-walk
When
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interested in reflexes, stuff you can't control. human, internal mechanisms.
need to check these stuff out: http://www.southlondongallery.org/page/where-sculptures-walk
When
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Wednesday, 2 May 2012
Ken Lum
looking at ken lums work especially his furniture works
http://www.rjhf.com/html/kl-e.html
http://www.google.co.uk/imgres?q=ken+lum&hl=en&biw=1000&bih=693&tbm=isch&tbnid=O07sEIWkjv3dBM:&imgrefurl=http://fragilitas.wordpress.com/2011/08/02/ken-lum/&docid=QRlsq59I1D1nxM&imgurl=http://fragilitas.files.wordpress.com/2011/08/red-circle1.gif&w=908&h=590&ei=u8ShT4nxOOWviQKw2dG_Bw&zoom=1&iact=hc&vpx=99&vpy=115&dur=592&hovh=181&hovw=279&tx=134&ty=97&sig=100306505174412480415&page=4&tbnh=150&tbnw=197&start=45&ndsp=16&ved=1t:429,r:8,s:45,i:193
http://www.rjhf.com/html/kl-e.html
http://www.google.co.uk/imgres?q=ken+lum&hl=en&biw=1000&bih=693&tbm=isch&tbnid=O07sEIWkjv3dBM:&imgrefurl=http://fragilitas.wordpress.com/2011/08/02/ken-lum/&docid=QRlsq59I1D1nxM&imgurl=http://fragilitas.files.wordpress.com/2011/08/red-circle1.gif&w=908&h=590&ei=u8ShT4nxOOWviQKw2dG_Bw&zoom=1&iact=hc&vpx=99&vpy=115&dur=592&hovh=181&hovw=279&tx=134&ty=97&sig=100306505174412480415&page=4&tbnh=150&tbnw=197&start=45&ndsp=16&ved=1t:429,r:8,s:45,i:193
Adi Nes & Tim Hetherington
I am stunned: the late Tim Hetheringtons photography
http://www.google.co.uk/imgres?q=tim+hetherington&start=300&hl=en&sa=X&biw=1000&bih=693&tbm=isch&prmd=imvnso&tbnid=7XDVH4_Y1kJg9M:&imgrefurl=http://www.pdnphotooftheday.com/2012/04/13554&docid=T19aynj1ylWmNM&imgurl=http://www.pdnphotooftheday.com/wp-content/uploads/2012/04/Hetherington-Kelso-Korengal-Valley-Kunar-Province-Afghanistan-2008.jpg&w=954&h=636&ei=g76hT9bsDOSkiQKS5bG0Bw&zoom=1&iact=hc&vpx=686&vpy=239&dur=1195&hovh=183&hovw=275&tx=138&ty=123&sig=100306505174412480415&page=19&tbnh=147&tbnw=191&ndsp=16&ved=1t:429,r:7,s:300,i:59
sleeping soldiers
http://www.planet-mag.com/2012/home/editors/tim-hetherington-slideshow/
http://1000wordsphotographymagazine.blogspot.ca/2011/04/integrity-of-tim-hetherington.html
Also Adi Nes
http://www.google.co.uk/imgres?q=adi+nes&hl=en&biw=1000&bih=693&tbm=isch&tbnid=5uRbBjvmUUnWTM:&imgrefurl=http://sizedoesntmatter.com/arts/sdms-one-on-one-with-world-renowned-israeli-photographer-adi-nes/&docid=GNz6o_BRJUE2bM&imgurl=http://sizedoesntmatter.com/wp-content/uploads/adi-nes-300x297.jpg&w=300&h=297&ei=Yb-hT7G4CqKjiQL2rrnEBw&zoom=1&iact=hc&vpx=465&vpy=315&dur=1064&hovh=223&hovw=226&tx=95&ty=127&sig=100306505174412480415&page=1&tbnh=157&tbnw=120&start=0&ndsp=14&ved=1t:429,r:7,s:0,i:80
Soldier series
http://www.phillipsdepury.com/auctions/lot-detail/ADI-NES/NY040109/124/11/1/12/detail.aspx
Great site of his work plus description:
http://www.adines.com/content/wexner_center_for_the_arts_brochure.htm
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